Charlemagne
That triad of triads — the Nine Worthies of medieval antiquity, from Hector and Alexander to Godfrey of Bouillon (three pagans, three Jews, and three Christians, to whom Falstaff was added by Doll Tearsheet in Shakespeare) — are not celebrated today. We must relearn that, without historical characters much larger than life, our own little lives will shrink smaller.
Charlemagne, one of those Nine Worthies, presided over the Carolingian Renaissance in the VIIIth and IXth centuries, and was among the transformative hinges by which the ancient, or classical, was turned into the mediaeval and modern order of Europe. He is thus a knife edge between ancient and modern: the great conqueror of his age, but too, among the signal guides in the formation of Christendom. The monasteries were already being founded and equipped, the prayers being said, but as Charles told Abbot Baugulfus, they would have to become secular training centres, too. For while his bureaucrats might have the odd clever idea, their Latin was appalling and they could not think lucidly on parchment. They were inelegant. Nor could they read Scripture adequately, in this ignorance, until elegant literacy filled their veins.
The revival of art, and especially of literary art, underpinned the Emperor’s new order. For another dimension of this rekindled beauty was escape, from the fanaticism of the East — from the war between iconoclasts and iconodules that had waylaid Byzantium, retreating before the violent new Antichristical religion of Islam. Charles realized that both extremes were wrong: that what icons were and what icons were not could be found in the Christian dispensation.
It was from this wisdom that the achievements of Romanesque and Gothic followed in the West; and that orthodoxy, in the sense of right belief, could return to the East.
One might look upon our Catholic heritage as uncommonly lucky. Instead, Our Lord intervened, through the King of the Franks. One must however see, how terribly unlucky we will become, if we let barbarism return (rape, pillage, decollation) through Mussulman immigration.