Beauty
“Beauty will save the world,” we read in The Idiot, by Dostoevsky. The words are spoken by the Idiot, himself, Prince Myshkin, and as we gather throughout Dostoevsky’s major works, Beauty is also indistinguishably related to two other “absolutes” found in Plato and Aristotle — Truth, and Goodness. This is indeed something to know about Beauty: that it cannot be picked off a shelf. Therefore, in trying to define Beauty, I would be misleading the reader. That we all, however, know what “Beauty” means, even if we choose contradictory examples, I take for granted. More precisely, we often begin to know. We all know what “God” means, even when we are denying Him.
By being born, we came to the beginning of an understanding; and know, sometimes, that it cannot be lost, that it will not disappear. For Beauty is, Truth is, Goodness is. They cannot be segregated, or visited in compartments, the way “efficient” people claim to do. There is too much “thereness” in them.
Those who not only read, but think, are also in the habit of thinking about Beauty, and of considering it in its relations. We cannot help this, if we are open to human experience. An effect of humility is produced by the presence of Beauty, easily distinguished from the desire of ownership, if one has a brain that can be used. This is because we are placed, by Beauty, in the presence of the divine, and what belongs to the divine does not belong to us. A work of art might belong to me, but that cannot make it beautiful. It will communicate through contact, through being apprehended, but not through belonging to anything, and is transient, inasmuch as it can be destroyed. It can save us from destruction, but cannot escape our destructive urges.
One way to think of Beauty is not as a thing, but as a “wavelength,” on the analogy of light. To my mind, the presence of Beauty in nature, but also in a man-made thing, is a specific indication of divinity, or godliness.
When we live in a beautiful environment, we have reason to hope. The presence of ugliness is a mark of the opposite, or if you will, of the devil. Through ugliness we are constantly receiving reasons to despair. One see this, for instance, in the ugliness of our cities, and the vileness of our consumer and mass-market goods. Perhaps all machine production is essentially vile.
Among reasons we look to the past, and to ages before this mass market, is for relief from the oppression of ugliness.